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Old 12-09-2009, 07:47 PM   #16
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This will explain it better than I could. Basically, it's half a semitone.
Aye haha I knew I was too tired to post the right thing!
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Old 12-09-2009, 08:11 PM   #17
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If you were to play an A minor pentatonic scale and then play an A minor Mixolydian scale you'd here a distinct difference despite them both being in the same key.
i dont think they would be the same key... A mixolydian would be the key of D major/B minor

A minor pentatonic is in the key of a minor.


I have no idea about minor modes... didnt know there was such a thing... explain to me if so!
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Old 12-09-2009, 08:30 PM   #18
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Originally Posted by Alphadog View Post
A quartertone is a musical measurement used to describe the pitch iirc. I can't remember all my theory right now as I'm exhausted.

One thing, a mode is used to describe what feel a scale will have when used. It's a way to express a certain tonality that the scales being used represents. So If you were to play an A minor pentatonic scale and then play an A minor Mixolydian scale you'd here a distinct difference despite them both being in the same key.
Except, as has been pointed out, A Myxolidian =/= A Minor. The minor scale in itself is a mode (specifically the Aelion Mode), so how you could have a Minor Myxolydian is quite baffling.

Either way, that would explain why they sound different.

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i dont think they would be the same key... A mixolydian would be the key of D major/B minor

A minor pentatonic is in the key of a minor.


I have no idea about minor modes... didnt know there was such a thing... explain to me if so!
Well yeah, E Phrygian, for example, would be a Minor Mode, as it's based on its chord within the C Major scale, Em. Same would go for Dorian and Aelion. Ionian, Lydian and Myxolydian are Major Modes, and Locrian just doesn't really work.
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Old 12-09-2009, 08:40 PM   #19
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OH yeah is that due to the Diatonic triad scale degrees for the major scale? I ii iii IV V vi viio I ??
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Old 12-09-2009, 09:55 PM   #20
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OH yeah is that due to the Diatonic triad scale degrees for the major scale? I ii iii IV V vi viio I ??
Aye sir.

Also, for a MUCH better and clearer understanding of how best to use the Arabic Scale:


Never has hatred taken a more complete form musically, and all down to the Arabic Scale, I think.
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Old 12-09-2009, 10:12 PM   #21
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Except, as has been pointed out, A Myxolidian =/= A Minor. The minor scale in itself is a mode (specifically the Aelion Mode), so how you could have a Minor Myxolydian is quite baffling.

Either way, that would explain why they sound different.



Well yeah, E Phrygian, for example, would be a Minor Mode, as it's based on its chord within the C Major scale, Em. Same would go for Dorian and Aelion. Ionian, Lydian and Myxolydian are Major Modes, and Locrian just doesn't really work.
Aye haha I'm a bit out of touch with my theory.
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Old 12-09-2009, 10:23 PM   #22
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hmm interesting... so if iam right stockholm syndrome is in D minor in that 2nd youtube link... then what phrygian mode does he play at the beginning of the video after the long sustained note... the one that descends ?
90% of muse songs are D minor.


anyway....go here


http://www.looknohands.com/chordhous.../index_rb.html
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Old 14-09-2009, 08:58 AM   #23
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Matt Bellamy doesn't care about pointless things like scales and phrygian subordinate harmony frequencies but just plays what he likes to
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Old 14-09-2009, 12:55 PM   #24
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Matt Bellamy doesn't care about pointless things like scales and phrygian subordinate harmony frequencies but just plays what he likes to
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Old 14-09-2009, 02:07 PM   #25
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Matt Bellamy doesn't care about pointless things like scales and phrygian subordinate harmony frequencies but just plays what he likes to
lol. im sure he knows scales and doesnt just memorize every fret for every song... you have to know some structure..

btw, i think what he plays often matches the persian scale better than the arabic or prygian... i just made a modified version of it last night sounds really cool..
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Old 14-09-2009, 09:58 PM   #26
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Matt Bellamy doesn't care about pointless things like scales and phrygian subordinate harmony frequencies but just plays what he likes to
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Old 15-09-2009, 06:31 AM   #27
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Old 15-09-2009, 07:27 PM   #28
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Just to add to some of this mess. It seems like 90% of the stufff Muse plays is based off of the harmonic minor scale but with added notes...like if it were in D as it often is he uses:

D, E, F, Gb, G, A, Bb, C, C#, D

Harmnoic minor with the flat fifth and the natural minor 6th added in
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Old 16-09-2009, 07:36 AM   #29
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lol. im sure he knows scales and doesnt just memorize every fret for every song... you have to know some structure..

btw, i think what he plays often matches the persian scale better than the arabic or prygian... i just made a modified version of it last night sounds really cool..

He knows the sounds his guitar makes when he plays.
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