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Old 15-06-2018, 10:13 PM   #151
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Honestly not sure if I even wanna see a proshot of 2016 Take A Bow.
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Old 15-06-2018, 10:50 PM   #152
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Matt did alright with it at the performances I saw tbh, no idea how he did at whatever gigís on this film like. Instrumentally it was mega though, maybe better than ever.
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Old 16-06-2018, 04:12 PM   #153
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TaB 2016-18 is the best its ever sounded - save for Matt. The guitar drop has been brutally loud.
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Old 16-06-2018, 04:14 PM   #154
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Thought even Matt sounded better at Leeds Fest than when I saw it back in 2010 tbh.
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Old 16-06-2018, 08:47 PM   #155
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Well yeah 2017 was much better.
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Old 23-06-2018, 02:37 PM   #156
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Anyone else miss the fact they're doing an advance screening of this in London on Monday?

Would've entered had I known about it. Probably too late now.

EDIT: I've also seen a claim that the band will be in attendance.
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Old 23-06-2018, 04:49 PM   #157
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Eh, I thought about it but figured the cost and effort of getting down, back and potentially staying over for a film Iím not really fussed about seeing just for the slim chance of actually being able to talk to the band if they are there wasnít really worth it.
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Old 28-06-2018, 03:33 PM   #158
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Knights clip, Indy exclusive.

https://www.independent.co.uk/arts-e...-a8421256.html
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Old 28-06-2018, 04:08 PM   #159
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An exclusive publicly available on the Muse youtube channel

So at this point I guess it's pretty confirmed that that filter is gonna be on the actual film, all the way through. That's just...terrible.
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Old 28-06-2018, 04:26 PM   #160
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The quick cuts and close shots really dampen that intended ‘wow’ moment of seeing the crowd jumping with the riff. Like, I’m not Knights’ biggest fan by any stretch but that moment is kinda the point of that song live and the last 2 DVDs got it. Maybe a workaround of the crowds being fairly flat in general on that tour. Sound’s surprisingly flat as well but I imagine that’ll be a lot better with a cinema sound system.

Not to be a negative nancy. These clips ain’t convinced me to see it at aaaall though.
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Old 28-06-2018, 04:31 PM   #161
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Originally Posted by Tjet View Post
An exclusive publicly available on the Muse youtube channel .
Indy had first dibs on reporting it, hence, exclusive. Clip published on Muse's YouTube as the article published. I fail to see your point, good sir.
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Old 28-06-2018, 04:32 PM   #162
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Quote:
Originally Posted by Jobby View Post
Maybe a workaround of the crowds being fairly flat in general on that tour.
That's what I thought as well. I wondered how they would work around that in general for this release but quick cuts seems to be their answer.

That cut at 0.34 is jarring as well.
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Old 28-06-2018, 04:33 PM   #163
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And it looks cack. Sound is REALLY processed and... err, 'separated'. It sounds like a studio recording. As for the constant cuts and fades and overlays, I can totally do without that. Plus all the crowd bollocks. Nah. I'm going to this because I want to watch Muse.
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Old 28-06-2018, 04:34 PM   #164
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Quote:
Originally Posted by Clunge View Post
Indy had first dibs on reporting it, hence, exclusive. Clip published on Muse's YouTube as the article published. I fail to see your point, good sir.
I mean I'm sure you don't really fail to see my point. That the word "exclusive" is pretty meaningless today isn't news, and it certainly doesn't work when it's uploaded on social media at the same time as it's reported by one news site.
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Old 28-06-2018, 07:21 PM   #165
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I may be kinda selfish but why are they giving people some "highlights" of the show (or at least highlights of the songs teased : the heavy part of Globalist, the intro riff of Psycho, which contains the very first notes of the show, the climax of Knights, which is the closer) basically for free?

I get that the movie will be streamed out somewhere one day but as someone who will see the movie (and then pays for it) it's a little bit jarring to know that EVERYBODY can see those highlights before the airing.

I probably shoudn't give a sh*t but hey what do you think?
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