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Old 14-09-2010, 01:19 PM   #16
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These are fantastic, I'm guessing they are from Chris's bass tech IEM
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Old 14-09-2010, 02:17 PM   #17
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This is amazing, thank you so much!
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Old 14-09-2010, 03:31 PM   #18
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I've "remastered" them (if you could even call it that) as on the originals, they lacked so much bass. So i've re-uploaded them here and once they have been validated (more to be uploaded, validated within a few days) you'll be free to download them. With an account, of course.
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Old 14-09-2010, 05:51 PM   #19
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Matt's 'Ahhhhya-yayayayaya' during KOC is win!
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Old 14-09-2010, 10:35 PM   #20
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What are click tracks?
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Old 14-09-2010, 11:13 PM   #21
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What are click tracks?
Basically a metronome fed into the band's in-ear monitors to help them keep time and synchronize backing tracks, etc. The clicks you hear in the recording are the click track.
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Old 15-09-2010, 07:01 AM   #22
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Ohhh ok. I thought Muse wouldn't need that? :S
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Old 15-09-2010, 07:08 AM   #23
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Originally Posted by dougwalters View Post
Ohhh ok. I thought Muse wouldn't need that? :S
Well, naturally their own sense of rhythm (dictated by Doms drumming) will speed up or slow down and move around a bit so the click track helps them keep it constant... its mainly so that they stay in sync with the lights and the screens, and also if theres a backing track for synthesisers or orchestra, they need to keep in time with that to.
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Old 15-09-2010, 07:10 AM   #24
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Ohhh ok. I thought Muse wouldn't need that? :S
I imagine that it's not necessarily because the band needs it, but being as production heavy as their live shows are, it's probably a necessity to synchronize the audio and video cues as well for the sound techs and the rest of the production team. Besides, any band that plays to a click track will sound tighter.
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Old 15-09-2010, 07:11 AM   #25
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Originally Posted by Poor Bison View Post
Well, naturally their own sense of rhythm (dictated by Doms drumming) will speed up or slow down and move around a bit so the click track helps them keep it constant... its mainly so that they stay in sync with the lights and the screens, and also if theres a backing track for synthesisers or orchestra, they need to keep in time with that to.
Yeah, what he said.
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Old 15-09-2010, 07:50 AM   #26
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Ah ok, cool thanks

Also, is the occasional static cos whoever recorded it tuned into the frequency and it cuts out every now and again?
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Old 15-09-2010, 11:03 AM   #27
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The click track is useful for making the recordings near perfect.
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Old 15-09-2010, 09:58 PM   #28
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Topic has been validated. Download away.

For those wondering, this is how I think the recorder obtained them (I'm guessing but I would love for someone to correct me or to tell me I'm right!)

The in-ear monitors are connected to radio-transmitters strapped to the back of their trousers. As there are no wires to the monitor mixing desk, these would have to be connected wirelessly, probably using radiowaves along different channels. For someone to pick these channels up, it wouldn't require anything high-tech. So technically, these recordings can be obtained at any concert which radiotransmitter monitors are used?

Quote:
Originally Posted by Wikipedia

Transmitter and receiver

The most common professional stage in-ear monitor system employs the use of a wireless system to send the mix to the IEMs. This system contains a transmitter and a receiver pack that is worn by the performer. There is generally a transmitter for each monitor mix and there is always a receiver for each IEM. The transmitters usually output either one stereo mix or two mono mixes. When the transmitters are set up for two mono mixes, one transmitter can be used for two different mixes. Any number of receivers can receive a single mix. The output from a receiver is generally too weak to power two monitors at the same time.
The Transmitters and Receivers transfer audio wirelessly via a VHF or UHF radio frequency. Generally speaking, UHF systems sound much better than VHF systems and are therefore more expensive to purchase. UHF systems usually are less susceptible to frequency interference which adds to their level of quality.
Well there we go!
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Last edited by caville; 16-09-2010 at 12:43 PM.
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Old 16-09-2010, 10:10 AM   #29
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This is amazing!
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Old 16-09-2010, 12:28 PM   #30
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So judging by this, Chris actually can't sing that well. The Chris falsetto on MK is hilarious. It's cool to hear him singing Uprising though.
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