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Old 08-05-2018, 08:48 AM   #5191
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I'm even more confused now. Are you implying Muse have been writing about drones since the start?
lol, the fact is this wouldn't surprise me as much as it should
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Old 08-05-2018, 01:06 PM   #5192
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Plug In Baby’s about an Argos catalogue
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Old 08-05-2018, 02:03 PM   #5193
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I think you’re confusing Matt’s interest in technology, science and conspiracy theories for “its all connected to Drones”
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Old 24-05-2018, 05:17 PM   #5194
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Endlessly.

I don't know, I replayed it so many times this week after listening to it for the first time (in a while?). But... its creepiness and subtle tones are sucking me in... the synthetic carrousel accordion sound especially... hopelessly I'm escaping this song endlessly and I'll give everything to stop... I know I can quit it anytime in a while but the said 'accordion' bit is reminding me to play it one more time to make me feel that I'm done with this song... and then the cycle repeats again... and the moment of over-ness never comes.
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Old 29-05-2018, 07:31 AM   #5195
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They're all B-sides, which I had never really listened to any of up until now other than Fury and Futurism. I must say I love these b-sides a lot, their lyrics really touch me and I interpret them in my own personal way.
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Old 31-05-2018, 05:52 AM   #5196
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Dead Inside is the best song Muse have done since the highlights from BH&R.

In fact, I'll just go the whole hog and say Drones really is not a bad album at all - if it ended after Revolt, or a more sober version of Aftermath.
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Old 31-05-2018, 08:31 AM   #5197
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For me I’ve recently started loving The Globalist again. Yeah sure, the transitions aren’t the smoothest, but each of the 3 sections are ace imo. It would have worked much better as 3 separate songs (which would obviously need to be lengthened), perhaps a trilogy of songs to end the album. But in it’s actual format I still really like it and I think the core parts are all very good
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Old 31-05-2018, 08:55 AM   #5198
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Citizen Erased- it's only now that i've really started to listen to the lyrics of this song, and they're both genius and tear- inducing. Especially during the piano section.
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Old 03-08-2018, 01:30 PM   #5199
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Stockholm syndrome. I cannot fathom why I found that song to be so skippable in the past, but now I can't stop listening to it.
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Old 04-08-2018, 03:47 PM   #5200
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I recently came across the 98 EP version of Overdue. I never heard it before now because I mixed this version with 99 EP version, which is 98% similar to the Showbiz version and also because maybe Overdue is my least favorite song of the record to begin with.

BUT

hearing this completely new version of it comes as a very welcomed fresh air.
Also, i don't why but the bridge gives me something human-ish vibe

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Old 04-08-2018, 07:29 PM   #5201
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I recently came across the 98 EP version of Overdue. I never heard it before now because I mixed this version with 99 EP version, which is 98% similar to the Showbiz version and also because maybe Overdue is my least favorite song of the record to begin with.

BUT

hearing this completely new version of it comes as a very welcomed fresh air.
Also, i don't why but the bridge gives me something human-ish vibe

That's so drenched in the 90s, lol.

I like it though!
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Old 12-08-2018, 07:28 PM   #5202
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Follow Me. It’s fucking amazing.
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Old 13-08-2018, 03:35 AM   #5203
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Follow Me. It’s fucking amazing.
I like Follow Me alright, but I tend to skip the ending now. Matt's woahs are too loud and actually grating on my ears.
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Old 13-08-2018, 05:44 AM   #5204
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Follow Me. It’s fucking amazing.
For being one of my least favorite Muse songs (sorry, mainly it's the wubs that get me), I've always loved the Matt's vocals at the start, especially the way he overdubs a descending vocal on the word "surround." Really love that!
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Old 13-08-2018, 10:00 AM   #5205
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It’s a great song tbf. The “when your heart is breaking” big is just

Would love to hear how it originally sounded as a 3 piece rock son
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People like you wished you had seen them when I did, you are the lot that made them into a Pop Act not me I made them big
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