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Old 15-11-2006, 09:40 PM   #181
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As in I know when one's used or I don't. A gentleman's wink is a difficult to read
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Old 15-11-2006, 09:47 PM   #182
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As in I know when one's used or I don't. A gentleman's wink is a difficult to read
as in you know, just it's amusing people think it's something else.
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Old 15-11-2006, 10:21 PM   #183
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Old 15-11-2006, 10:45 PM   #184
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nice.
mate of mine who works at bonners and is very into music says it could ba an arpeggiator(sp?)
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Old 15-11-2006, 10:48 PM   #185
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There we go then, just staple gun one of those to your guitar ad bingo!
Surely this can be put to bed now: sequenced whammy effects on the guitar and it's most likely a synth backing.
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Old 15-11-2006, 10:55 PM   #186
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can you route a guitar through an ms2000br?
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Old 15-11-2006, 10:57 PM   #187
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can you route a guitar through an ms2000br?
Why would you want to?
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Old 15-11-2006, 11:00 PM   #188
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Plus, Jonny Greenwood runs his guitar through a laptop for certain effects, yet you don't see one on stage...
I thought it was quite obvious to see the Greenwoods laptop on stage. He has it on the table full of synths and gadgets.


Anyway, I saw one of the techs with a laptop near Matts rack at Eden. Its possible that was providing sequencing duties / changing presets.
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Old 15-11-2006, 11:01 PM   #189
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so you could mix the synth sound and the guitar sound together somehow???
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Old 15-11-2006, 11:04 PM   #190
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Oh yeah... Not sure if its been mentioned but..

The Roger Linn Addrenalinn has got programmable pitch shifting sequencing abilites, and will sync with midi clock. And its a pedal. So that will do the whole Whammy / sequencer thing without the computers.

Its also got all sorts of step flanges, step filters, and various other forms of step.

I bet it can nail the effect. Maybe one day I will play around with mine.
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Old 15-11-2006, 11:05 PM   #191
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so you could mix the synth sound and the guitar sound together somehow???
That'd be no different to Chris running his bass through Matt's piano or any other hilariously impractical and pointless combinations. All you'd do is have the synth running into a PA as you would with any other instrument and mix the various tracks there. It's not an effects pedal/processor, it's an instrument in it's own right.
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Old 15-11-2006, 11:10 PM   #192
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i thin ksomething like the roland GR-20 or the V synth ( i think it's called that) has the effect.
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Old 16-11-2006, 01:15 AM   #193
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That'd be no different to Chris running his bass through Matt's piano or any other hilariously impractical and pointless combinations. All you'd do is have the synth running into a PA as you would with any other instrument and mix the various tracks there. It's not an effects pedal/processor, it's an instrument in it's own right.
well thats how they made the guitar in stockholm syndrome dude

edit- and it is an effecs proccessor also
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Old 16-11-2006, 04:30 PM   #194
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well thats how they made the guitar in stockholm syndrome dude

edit- and it is an effecs proccessor also
Actually, that's not what they did for Stockholm Syndrome.

They used a piece of software to mix together the sound of a distorted guitar and a synth. Hysteria is a mixture of a synth and a distorted bass.

I do get sick of repeating that constantly, especially when Rich Costey and Muse have said it themselves in interviews.
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Old 16-11-2006, 04:42 PM   #195
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A synth isn't an effects processor in the same way that a guitar multi-fx is which I suspect is how you were talking about using one. Like Haze says SS was made by combining 2 separate tracks, not by somehow plugging a guitar into a synth.
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