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Old 02-03-2010, 12:56 AM   #181
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There's an answer in that other thread you made, but what else do you want to know in particular?

I think I still have the scans from a few magazines about what amps and guitars he used, but I don't know if any effects were mentioned.
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Old 02-03-2010, 02:54 AM   #182
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There's an answer in that other thread you made, but what else do you want to know in particular?

I think I still have the scans from a few magazines about what amps and guitars he used, but I don't know if any effects were mentioned.
I was looking for more a precise answer. on the thread I made, all I got was fuzz factory. There's a million different settings for the FF, so it didn't help much.
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Old 02-03-2010, 09:57 AM   #183
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I recently bought a Roland GR-20
Anyone got any cool ideas for what I can do with it?
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Old 02-03-2010, 10:06 AM   #184
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I recently bought a Roland GR-20
Anyone got any cool ideas for what I can do with it?
you are doing it rong, you should figure that out before you buy it..
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The search is a bag of wank. if i searched for Fuzz Factory, I'd probably end up getting threads about matts big toes.
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Old 02-03-2010, 10:08 AM   #185
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I was looking for more a precise answer. on the thread I made, all I got was fuzz factory. There's a million different settings for the FF, so it didn't help much.
You won't get precise settings unless Matt himself or any sound engineers and road crew feel like telling us.

Fuzz Factories can vary slightly and it's not like you need to be precise with it at all, asking for precise settings just says to me you need to play with it more and understand it better.
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Old 02-03-2010, 10:55 AM   #186
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You won't get precise settings unless Matt himself or any sound engineers and road crew feel like telling us.

Fuzz Factories can vary slightly and it's not like you need to be precise with it at all, asking for precise settings just says to me you need to play with it more and understand it better.
The way I worked it out was to copy the approximate squeal range from an old live recording of plug in baby or newborn or something else, I can't remember.
That gives you your drive and gate settings and you just adjust stab and comp for the song... I.e. newborn riff is comp off stab full, pib is stab adjusted to squeal note, blackout solo starts with comp backing off from full, etc.


Essentially, use your ears
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Old 02-03-2010, 10:55 AM   #187
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I recently bought a Roland GR-20
Anyone got any cool ideas for what I can do with it?
Give it to me.
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Old 02-03-2010, 11:05 AM   #188
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The way I worked it out was to copy the approximate squeal range from an old live recording of plug in baby or newborn or something else, I can't remember.
That gives you your drive and gate settings and you just adjust stab and comp for the song... I.e. newborn riff is comp off stab full, pib is stab adjusted to squeal note, blackout solo starts with comp backing off from full, etc.


Essentially, use your ears
What I mean is, it really doesn't matter too much. Like with PIB, if the pedal is oscillating, it'll do.
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Old 02-03-2010, 11:17 AM   #189
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What I mean is, it really doesn't matter too much. Like with PIB, if the pedal is oscillating, it'll do.
Depends how accurate you want to be - not all the oscillating settings will do the note-bending-into-squeal thing and we all know what's important to mini-bellamys
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Old 02-03-2010, 11:36 AM   #190
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Depends how accurate you want to be - not all the oscillating settings will do the note-bending-into-squeal thing and we all know what's important to mini-bellamys
The sound he gets on hullabaloo is cool!
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Old 19-03-2010, 09:02 PM   #191
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distortion for showbiz

what did matt use for the distortion on the studio version of showbiz, is it an amp or a pedal?

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Old 19-03-2010, 10:20 PM   #192
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soldano decatone or matchless dc-30 most likely


..both of those are amps
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Old 20-03-2010, 12:54 AM   #193
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soldano decatone or matchless dc-30 most likely


..both of those are amps
sure it wasn't a fuzz factory?


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Old 21-03-2010, 08:30 PM   #194
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was the decatone his main amp in that era?
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Old 21-03-2010, 08:32 PM   #195
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pretty much. he used the matchless a lot too, but the soldano was probably for higher gain sounds..
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