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#1 |
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Join Date: 16 May 2012
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Greetings everybody!
I wanted to ask you regarding "The Ressistance - Deluxe box set" I found a difference between Vinyl and CD recording, I played the vinyl with this equipment: - Pioneer PL-540 turntable with a Shure M97xE cartridge and Audio-technica headshell - Sansui AU-717 amplifier - Sansui S-50 speakers connected with oxygen-free copper wires And I played the CD with this equipment: - CD-Player Sony CDP-S45 connected to amplifier with Monster oxygen-free copper wires - Sansui AU-717 amplifier - Sansui S-50 speakers connected with oxygen-free copper wires I heard closely both recordings and I found the CD quite "noisy" compared with Vinyl sound, mostly in high tones. Taking apart the discussion between "cd/vinyl, which is better?", somebody experienced this difference?. Does the CD version a victim of "loudness war"? Thanks!! Kind regards, Bruno. |
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#2 |
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Funniest Muser 2012
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I'm a noob in technical audio stuff, but could this http://www.dr.loudness-war.info/inde...&search_album= be helping in some way? I just googled a bit
However, I think The Resistance suffers from the loudness war way less than BH&R
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#3 |
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Member
Join Date: 15 February 2011
Location: UK - Oop norf
Age: 16
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BH&R and Absolution definitely suffer from it, The Resistance CD sounds pretty fine to me though.
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LCCC, Manchester - 04/9/2010 | Leeds Festival - 26/8/2011 | Etihad Stadium, Manchester - 01/6/2013
Da keeps: Big Freeze | Eurockéennes 2000 | Burning Bandits lyrics |
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#4 |
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Member
Join Date: 28 December 2011
Location: Scotland
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The mix quality for the resistance is pretty good, especially compared to BHAR. Regarding the vinyl/CD issues, I think vinyl's generally of higher quality, the vinyl counterparts of some CD's that suffer from it don't have the same problems.
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#5 |
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MANBEEF!!!!1!1!1!322$£!!
Join Date: 30 March 2003
Location: I am a MAN, not a girl or a girl pretending to be a man
Age: 26
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The Digital/Vinyl/Tape debate is separate to the "Loudness War" and shouldn't be confused as one & the same.
The "Loudness War" exists in different forms between formats. What do you mean by more "noisy" though? Digital will be less noisy technically.
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#6 | |
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Join Date: 16 May 2012
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Quote:
You're right, digital/vinyl/tape is not the point, there are separated discussion With "noisy" I meant saturated, mainly high sounds such cymbals and some guitar riffs, that's what I heard between Ressistance Vinyl and CD |
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#7 |
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The loudness war can also be describing musicians on stage having their PA's/IEM/Monitors turned up drowning out other instruments.
When all the musicians are turning up their levels at the same time, eventually their ears can suffer from massive sound levels.. a mixer/audio tech's nightmare too.
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B'ham NIA 10-11-09 Wembley 10-09-10 Wembley 11-09-10 Reading 28-08-11 Roundhouse 30-09-12 Monty 16-10-12 Bercy 18-10-12 SECC 24-10-12 O2 26+27-10-12 LG Arena 30-10-12 MEN Arena 01-11-12 Ziggo 17-12-12 Antwerp 18-12-12 SBE 18-02-13 Cov 22-05-13 Keeper of [Plug In Baby from London Astoria 2000 * Matt Bellamy's 'The Dalek' * Bliss Arpeggio from Pink Pop 2002] |
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#8 | |
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MANBEEF!!!!1!1!1!322$£!!
Join Date: 30 March 2003
Location: I am a MAN, not a girl or a girl pretending to be a man
Age: 26
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Quote:
IEMs, monitors etc are personal mixes for each individual musician. Wouldn't describe it as a loudness war, just dealing with amateurs. In regards to live sound, less experienced drummers are likely to get louder throughout a show, meaning amplifiers and monitors mixes might have to be turned up gradually to compensate.
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#9 | |
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point two, its not just drummers that have this issue, it can be any musician with stage based monitors
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B'ham NIA 10-11-09 Wembley 10-09-10 Wembley 11-09-10 Reading 28-08-11 Roundhouse 30-09-12 Monty 16-10-12 Bercy 18-10-12 SECC 24-10-12 O2 26+27-10-12 LG Arena 30-10-12 MEN Arena 01-11-12 Ziggo 17-12-12 Antwerp 18-12-12 SBE 18-02-13 Cov 22-05-13 Keeper of [Plug In Baby from London Astoria 2000 * Matt Bellamy's 'The Dalek' * Bliss Arpeggio from Pink Pop 2002] |
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#10 |
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Join Date: 11 September 2010
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Just listened to BHAR on vinyl. There's such a difference with the CD version! Without being a demo disc, it is a very different experience than on the CD, it sounds way much more natural, you hear those tiny little details you couldn't hear before, some echos, drums that sounds like real drums... I'm telling you, it's a different experience to listen to Muse that way.
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#11 | |
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Member
Join Date: 06 August 2011
Location: Estoniahahgah
Age: 17
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Amazing Also, what program is that everyone's using to get these waveforms? Also2, what the guy above me said. I can't tell much difference in clipping and waveforms but it is a lot more clear. I never noticed that Hoodoo had distorted vocals and still can't hear it with my regular FLAC files. I noticed it the first time I listened to the vinyl.
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Quote:
Last edited by Jazzthief; 01-01-2013 at 07:48 PM. |
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#12 | |
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Funniest Muser 2012
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Quote:
Your last chance has arrived.... BEEEEEST
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#13 |
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Member
Join Date: 15 February 2011
Location: UK - Oop norf
Age: 16
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LCCC, Manchester - 04/9/2010 | Leeds Festival - 26/8/2011 | Etihad Stadium, Manchester - 01/6/2013
Da keeps: Big Freeze | Eurockéennes 2000 | Burning Bandits lyrics |
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#14 |
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Member
Join Date: 15 August 2011
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That version is amazing! Does somebody know where you can find these unmastered tracks as said in the description? Or other muse songs which are already remastered...
It is too great to miss the experience of listening to muse like this
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#15 | |
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Zoe
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Quote:
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Madison Square Garden 16.04.13 Keeper of
Supremacy Dom's Spiderman outfit and sex face Chris's slap bass Synth arpeggios in Stockholm Syndrome Muse logic |
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| Tags |
| loudness , muse , vinyl , war |
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